MULTIPLE sources,
A quality.
An agency photo, a correspondent's snapshot taken on a phone, an ad agency visual converted three times: everything lands on the same page, and everything must come out with the same rendering. Automatic normalization does this work instead of the desktop publishing team.
PRODUCTS
OnColor · Arkitex IntelliTune · OptiColor
PERIMETER
Standardization, profiles, separation
ENTRANCE
Any source: agency, lead generation, mobile
DEPLOYMENT
On-site or in-use
01 — What it solves
The retouching there's no time for.
Nobody opens Photoshop at 11 p.m. to fix a last-minute image. Without automated processing, the compromise comes at the expense of quality — and it shows on paper the next day.
01
Incomparable sources
Different color spaces, inconsistent exposures, variable noise. Frame-by-frame analysis brings everything back to a common baseline before imposition.
02
Newsprint is unforgiving
Dot gain, absorption, reduced range. A profile adapted to the media avoids clogged blacks and gray faces.
03
Print is no longer alone
The same image is used for both the website and the app, but with different constraints. The processing can produce multiple renders from a single original.
02 — Products
Three complementary building blocks.
OnColor
Automatic normalization of incoming images: contrast, density, sharpness, gray balance. The Lite and Server CM versions cover small organizations and centralized architectures.
— NewsWayX Line
Arkitex IntelliTune
The ECO3 equivalent: frame-by-frame analysis, contrast, sharpness, and noise optimization, with distinct rendering for print, web, and mobile.
— Arkitex Line
Arkitex OptiColor
Automatic color conversion to the target space, with content recognition — skin tones and brand solid colors are not treated the same way.
— Arkitex Line
Judge based on your images.
Colorimetry cannot be demonstrated on a brochure. Send us a selection of actual pages: we will send you the before and after, on your specific paper profile.
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